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Category:    Home > Reviews > Children > Butterfly (Le Papillon)

The Butterfly (Le Papillon)

 

Picture: B-     Sound: B-     Extras: C     Film: B-

 

 

Children’s films used to be automatically considered a market of no importance and often the product was plastic and pointless.  There have been films that have surfaced now and then that were exceptional, but not as many as you would expect as the market geared towards kids has wildly expanded since the 1980s, and not always for the better.  With writer/director Philippe Muyl’s The Butterfly (2002), I did not know what to expect, a film about an older guy with a little girl centered on the title species.  The worst that could have been would be a silly sappy film that is so cutesy you want to play Frisbee with the DVD.  Instead, the film was surprisingly charming and often hilarious!

 

Michel Serrault is one of France’s most enduring actors, from his early work in the original Diabolique and King of Hearts, to recent triumphs like Nelly & M. Arnaud (reviewed elsewhere on this site), here is an unsung hero of the acting craft.  In this film, he plays long-time butterfly collector Julien, who has an exceptional knowledge on the subject (you can spend your whole life on the subject and still not know everything), and still goes chasing after them day and night.  Suddenly, he is confronted by 8-year-old Elsa (Claire Bouanich), whose mother (Nade Dieu) has “lost track” of her.  Despite being annoyed at first, Julien takes her in and then brings her on one of his outdoor butterfly hunts.

 

Often, if a film was done like this, it would be too safe for its own good and boring.  Elsa is slightly precocious, but not in some sickening know-it-all way that you would find in the thankfully dying U.S. TV situation comedy.  Note how in the 1980s most of your smart aleck kids sounded like they were ready to pull off a huge white collar crime on Wall Street as if it were the proper attitude to have.  Elsa is a real 8-year-old, especially by comparison.

 

Serrault then pulls off a very clever thing in his performance.  Instead of the stereotypically annoyed, gruff old man in “ornery overdrive” that would make him into a cartoon, he only subtly offers his annoyance with the intelligence of a man who would pursue such a hobby all his life.  The resulting combination of the two results in some of the biggest laughs I have ever had out of a film from this cycle and Muyl’s guidance further sharpens the comic timing and well-placed observations.  The only thing I could complain about is that the film only runs 80 minutes, and there were probably more laughs to be had in this situation, but all the adjectives the critics are quoted on the DVD case over are true for a change.  Instead of picking up a thesaurus, I will keep my adjectives to myself and strongly recommend a film that even adults will not be able to turn away from.

 

The letterboxed image is surprisingly sharp, clean and clear for a non-anamorphic 1.85 X 1 transfer, though it still has some detail trouble.  Nicolas Herdt’s cinematography is terrific and never ceases to deliver the natural world in a narrative context, as well as livable one.  The subtitles are on the print.  The French language sound was issued in theaters in DTS and Dolby Digital, but the mix on this DVD is only a good Dolby Digital 2.0 stereo with healthy Pro Logic surrounds.  This is not a big problem, but I have a feeling I would have been laughing harder, even if I do not speak French, if this had DTS on it.  Nicolas Errera’s score is nicely done and still sounds good here.  That is a solid combination for performance presentation of the film, but boy, do I want to see this in a theater in 35mm!

 

Extras include a trailer for this film, four more for other First Run titles, a stills gallery and biography information on Serrault and Muyl.  That too is fine, but I think this film could become an all-time children’s classic, even though it has enough edge to throw off some parents.  The Butterfly deserves to soar like no other children’s film I have seen in years, but adults should catch it too because it is one of the best comedies in years, no matter what your age.

 

 

-   Nicholas Sheffo


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