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Category:    Home > Reviews > Jazz Music Compilation > Dizzy Gillespie - Swing Era: Jivin' In Be Bop (1946, edited)

Dizzy Gillespie – Swing Era:  Jivin’ In Be Bop (1947, edited)

 

Picture: C-     Sound: C+     Extras: D     Film: B-

 

 

John Birks “Dizzy” Gillespie was breaking ground every time anyone turned around.  In 1946, he headlined a motion picture called Jivin’ In Be Bop, which was not a Musical but a concert film with some vignettes.  Idem Home Video has taken the film and cut out the MC sections, and made it a part of their Swing Era series.  I have to take issue with such editing, which could have been chapterized, giving people the choice to skip the MC sections.  The company could have even put those in a supplement section, but eliminating them altogether, no matter what their condition is unacceptable.  He songs are as follows, some with vocal, including Gillespie himself on some of the non-credited tracks:

 

1)     Salt Peanuts

2)     Be Bab A Lee’ba (Helen Humes – vocal)

3)     Oop Bop Sh’bam (Johnny & Hennie – dancers)

4)     Shaw ‘Nuff

5)     I Waited For You (Kenny Hagood – vocal)

6)     Hubba-Hubba Blues (featuring Dan Burley & Johnny Taylor)

7)     Night In Tunisia (Audrey Armstrong & Phil Harris – dancers)

8)     Crazy About A Man (Helen Humes – vocal)

9)     One Bass Hit

10)  Boogie In C (featuring Dan Burley & Johnny Taylor)

11)  Dynamo A

12)  Ornithology (Ray Sneed – tap dancer)

13)  Her Beeped When He Should Have Bopped

14)  Grosvenor’s Square (Daisy Richardson – dancer)

15)  Things To Come

16)  Ray’s Idea (Ralph Brown – dancer)

17)  Bag’s Boogie (Ray Sneed – tap dancer)

18)  Hubba-Hubba Blues (reprise with Burley & Taylor)

 

The full frame image is more consistent than usual, though the picture bleaches out towards the beginning and in other parts.  This is all in black & white, as directed by Leonard Anderson and originally lasted 59 minutes.  With the MC sections and credits eliminated, it now stands at just over 50 minutes.  Don Malkames was the cinematographer.   The PCM 2.0 Mono is also consistent, but shows its age and was released in RCA’s optical monophonic format.  There are no extras, though you can see the poster image here and there for the feature film.  Even with the missing parts, this edited Jivin’ In Be Bop is worth a good look.

 

 

-   Nicholas Sheffo


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