Breaking
Away (1979/Fox/Twilight
Time Limited Edition Blu-ray)/F1
Official Review Of The 2014 FIA Formula One World Championship
+ MotoGP 2014 World
Championship Official Review
(MVD/Duke Blu-rays)
Picture:
B/B-/B- Sound: B-/B-/C+ Extras: B/B-/C Main Programs:
B-/B+/B
PLEASE
NOTE:
The Breaking
Away
Blu-ray is now only available from our friends at Twilight Time, is
limited to only 3,000 copies and can be ordered while supplies last
from the link below.
Being
a part of international racing is a great thing, so much so that it
is a dream for most and an achievement for a lucky few. What follows
is at least a minor classic about that dream (though much more to its
fans) and (35 years later and counting) how that market has only
grown...
Peter
Yates' Breaking
Away
(1979) is one of the original feel good comedies of its time before
bad 1980s cinema ruined such things, but it is also a sports film and
most importantly, one of the more successful films in an underrated,
under-recognized coming of age cycle that included Little
Darlings,
My
Bodyguard
and peaked with Real
Genius.
Dennis Christopher is Dave, son of a former stone cutter (Paul
Dooley) who now sells used cars that are a bit too used, going to
school and dreaming of being in a high endurance bike race in Italy.
He even tries talking with an Italian accent and obsesses about it.
His
longtime buddies (Dennis Quaid, Jackie Earle Haley, Daniel Stern) may
not totally get it all, but they are his friends and support him
having grown up with him. They are part of a middle class (or
poorer) who have wiseguy rich guys to deal with and outside of that
distraction, what they will do with their lives as they will not
necessarily be together forever. Well written and acted, this is
pretty good and well-rounded throughout, though I was never a fan of
the overuse of classical music and thought it missed some
opportunities, though it never backs off of any comments about class
division.
Barbara
Barrie (Barney
Miller)
is Dave's mother, the moral center of keeping their family together
and gentleman director Yates (Bullitt,
Suspect,
The
Hot Rock,
Friends
Of Eddie Coyle
(soon on Criterion Blu-ray), The
Deep)
handles it al with great warmth, humanity and enough realism while
still slyly allowing the humor to thrive throughout. The film was
never the big hit fans had hoped for (I believe Siskel and Ebert said
at the time that they would refund anyone who saw it and did not like
it) and it was not the next Rocky
box office wise, yet it is as good a film.
Fox
has decided to allow this key catalog title to be a Twilight Time
Limited Edition Blu-ray, which is good since that always means
top-rate treatment, so if you are a fan, you;ll want to get this one
while supplies last.
Extras
include yet another fun, film scholar level illustrated booklet on
the film including informative text and an essay by Julie Kirgo that
we see in all Twilight Time releases, while the Blu-ray adds a new
feature length audio commentary track by Kirgo, film scholar Nick
Redmond & actor Dennis Christopher that is terrific, an audio
clip of Christopher talking about how he landed up working with
Fellini, an Original Theatrical Trailer, Road To Adulthood featurette
and Isolated Music Score track.
At
the time of the film, 10-speed bikes were the rage, but bikes have
since exploded into a widely diverse market (along with higher
prices) and that also extends to cars and motorcycles. That also
translates into professional racing and its expansion, so now, well
look at two great special interest racing releases you should know
about. We have the F1
Official Review Of The 2014 FIA Formula One World Championship
Blu-ray set and MotoGP
2014 World Championship Official Review
Blu-ray. The former shows how far and advanced formula one racing
has come (even a bit more since the great IMAX Super
Speedway
film, reviewed on Blu-ray elsewhere on this site) and we get five
hours of truly exciting travel and racing worldwide in what is a very
underrated set of events. Why is this not more popular? It cannot
be merely a money thing. This is among the best car titles (outside
of the obvious Top
Gear
UK releases) since the Faszination
series (all reviewed elsewhere on this site).
MotoGP
is the first such title we have ever covered on motorcycles (the Tron
films don't count, though are part of the same field of interest and
love of bikes) showing how much fun this part of the professional
racing business is and though this release is not as rich as the F1
set, I still enjoyed seeing it and in both cases, seeing all the
action on Blu-ray makes it far more involving than if you watch it on
HD cable/satellite TV or your PC (not having to deal with commercials
is a victory in itself) and in such intense racing sports, the
intensity is not interrupted or chopped up, so both releases (from
the same company, Duke) are more than worth your time if you are
interested. F1
exceeds its subject matter and is a model for how to do racing on
Blu-ray.
Extras
on F1
Include an entire bonus Blu-ray with an interviews section and raw on
board camera footage, while MotoGP
adds three featurettes on Marc Marquez (the winner), End Of Season
highlights and a celebration of the event piece.
Because
it is the only release here shot on 35mm film and is a drama, you'd
expect the 1080p 1.85 X 1 digital High Definition image on Away
to be the best transfer here, but it was always a good-looking film
to begin with, one some would say looks great often. I could agree
with that to a great extent, especially with some shots looking
better here than expected and above my rating for the transfer.
Director
of Photography Matthew F. Leonetti, (Jagged
Edge,
Star
Trek: First Contact,
Camelot,
2 Fast
2 Furious)
does some of the best work of his long career here.
The
1080p 1.78 X 1 digital High Definition image transfers on the F1
and MotoGP
discs have some rough footage that cannot be avoided since we are
talking cameras on board high speed vehicles that are trying to
capture moments and not fidelity, but both have great location shots
throughout, though F1
really has some stunning HD footage from around the world that is so
good the discs exceed being just sports and special interest
presentations.
As
for sound, the DTS-HD MA (Master Audio) 1.0 Mono lossless mix on Away
is surprisingly arm and full throughout just making it the best
presentation here, showing someone at Fox really did what they had to
do to take care of the film. The DTS-HD MA (Master Audio) 5.1
lossless mixes on F1,
sadly credited generically on the case as just '5.1' does its best to
capture and present the location audio throughout its long main
program, but the MotoGP
disc settles for
lossy Dolby Digital 2.0 Stereo (generically listed as 'stereo') and
just manages to match it more often than not. I think F1
is only marginally better than MotoGP
and F1
is only marginally better than Away.
To
order the Breaking
Away
limited edition Blu-ray, buy it and many other great exclusives while
supplies last at this link:
www.screenarchives.com
-
Nicholas Sheffo