The
Expendables 3
(2014/Lionsgate Blu-ray w/DVD)/Into
The Storm (2014/New
Line/Warner Blu-ray w/DVD)/Ragnarock
(2013/Magnolia/Magnet Blu-ray)/Reclaim
(2014/Lionsgate Blu-ray)
Picture:
B- & C/B- & C+/B-/B- Sound: B & C+/B- & C+/B/C+
Extras: C- Films: D/D/C/C-
And
now for another edition of when action films go wrong!!!
Patrick
Hughes' The Expendables 3
(2014) is the third and allegedly final feature film in one of the
most cynical, lame franchises ever. With missed-opportunities
galore, Sylvester Stallone signs up just about anyone old or new who
was with the action genre or might be, but most are veterans who look
bored as anything. This also means some of them (Wesley Snipes,
Harrison Ford) are grossly underused (no wonder Bruce Willis skipped
this one) and it is generally a mess with an awful script, bad acting
(even for the ones we expect no real acting from!), bad action
sequences, some of the worst digital visuals I have suffered though
in a while and Mel Gibson looking almost too ill to be here.
It's
like Ocean's 11
on steroids and a useless, witless script (making it fit with Ocean's
13) and it goes on and on
and on and on for over two hours. We would have been better off with
a cable special where someone here was roasted. Instead, it is the
audience who gets burned!
Extras
include a Gag Reel that is far better than the feature and three dull
Making Of featurettes, one of which tries to pass itself off as a
documentary.
Steven
Quale's Into The Storm
(2014) is an attempt to find people who may not have seen Twister
and try to impress them with digital tornadoes and cyclones, because
the script here will impress no one and despite all the advanced in
digital CGI animation since the older film, this still looks like
effects to sell vacuum cleaners! The cast of mostly unknowns at
least are not as bad as they might be in the Canadian TV versions of
such nonsense (Sharknado
anyone?) that land up on U.S. cable as a joke. This too is a joke,
but not totally as generic... just mostly so. Yawn!
Extras
include Digital HD Ultraviolet Copy for PC, PC portable and iTunes
capable devices, while the Blu-ray adds three dull Making Of
featurettes.
Mikkel
B. Sandemose's Ragnarock
(2013) comes from Norway and is formulaic ripoff of everything
Spielberg, Cameron and the like have done with adventurous monster
films, but at least the cast is somewhat likable and it is allegedly
of a mythological monster from Norwegian mythos (the title
character), so that is enough to make it the best of the four duds
here. Too bad it did not offer more than a name-than-tune remake set
of scenes and shots from played out Hollywood action films. I
thought the ending was lame too. Fantasy genre fans may be amused
when it tires to look like the Lord
Of The Rings and Hobbit
films, showing the writers threw in everything but the kitchen
sink... and new ideas. Ahh... but that makes it better than the
Sharknado
films... I guess.
Extras
include BD Live interactive functions, a brief, quiet making of
featurette showing the visual effects and an Original Theatrical
Trailer.
Last
and almost least is Alan White's Reclaim
(2014), a child-in-jeopardy film where Ryan Phillippe and Rachel
Leferve play a loving couple who go to a third-world country to adopt
a young lady who is promptly kidnapped. John Cusack is the man who
arranges the adoption since the couple cannot wait, but he may know
more than he is saying and Jacki Weaver shows up as a woman with
something to hide. It was not a good script, however. I liked the
actors, but this is a mess, lame, unsuspenseful and is not very
convincing even in the earliest scenes. A shame, this could have
been something different and better had the makers tried. Oh well.
Trailers
for other releases, A Music Video, director feature length audio
commentary, cast/crew interviews, Behind The Scenes featurette,
Deleted/Extended Scenes and Digital Copy are the extras.
All
four releases are HD shoots with styling that is slightly dark and
with limits in detail at times, from the 1080p 2.35 X 1 digital High
Definition image transfers on Expendables and Ragnarok
to the 1080p 1.85 X 1 digital High Definition image transfers on
Storm and Reclaim. The sloppiest digital visuals are
on Expendables with its anamorphically
enhanced the poorest performer on the list, while Storm
simply overdoes them, but its anamorphically enhanced DVD version is
a little better by comparison. Reclaim is not as overdone, but still
phony, if not sloppy for the most part, so Reclaim is
the best shoot by default.
Though
it was a simple Dolby Digital theatrical release, Expendables
has been upgraded to an 11.1 Dolby Atmos mix, though it is Dolby
TrueHD 5.1 otherwise and it shows. This was not designed for that
many channels and very inconsistently performs to that level, not
even as well as Step
Up: All In
and definitely not the fourth Transformers
film. As a result, the DTS-HD MA (Master Audio) 5.1 lossless mixes
on the remaining Blu-rays do not suffer as badly, but only Ragnarok
is its equal, with Storm
not
having as good a soundfield as either and Reclaim
especially coming up short sonically. The
lossy Dolby Digital 5.1 on the Expendables
and Storm
DVDs can actually compete with the DTS-MA on Reclaim
as a result.
-
Nicholas Sheffo