Ambushed
(2013/Anchor Bay Blu-ray w/DVD)/The
Man From U.N.C.L.E. 8-Movie Collection
(1964 - 1967)/Shaft: The
TV Movie Collection (1973
- 1974/MGM/Warner Archive DVD Sets)
Picture:
B- & C/C+/C Sound: B- & C+/C+/C+ Extras: C-/C-/D
Films: C-/B-/C+
PLEASE
NOTE:
The
Man From U.N.C.L.E.
and
Shaft
DVD sets are now only available from Warner Bros. through their
Warner Archive series and can be ordered from the links below.
Here's
a look at three action entries that you may not have heard about,
including a new one that should have worked much better...
Giorgio
Searfini's Ambushed
(2013) brings Dolph Lundgren, Vinnie Jones and wrestler Randy Couture
together in an unfortunately formulaic tale of L.A. criminals with
Lundgren as a DEA agent who will do anything to bring down a drug
ring headed by a tough guy (Jones) and enabled by a corrupt cop
(Couture) in a set-up that had potential, but the writers decided to
make this from the extremely tired gangster genre formula that has
been done thousands of times, especially lately.
Dialogue
is as forgettable as the situations and the fight sequences are not
up to par for these actors either, so the result is a bored, tired
mess that drags on and on and on for its very long 97 minutes of
running time. Jones steals his scenes by default as he is the only
one showing any energy here. Do not operate heavy equipment around
this one.
A
Behind The Scenes featurette is the only extra.
There
is a three way tie for now between the longest running U.S. spy movie
series between the Bourne
films (though they did not retain their same lead star), Dean
Martin's Matt Helm films of the 1960s and the four Tom Cruise
Mission: Impossible
films and that is about to become a two-way tie. However, even as we
get fifth films from the active series, there is one series that
lasted longer, even if it is a bit of a cheat to count it. The
Man From U.N.C.L.E. 8-Movie Collection
(1964 – 1967) collects the eight theatrical releases of two-part
episodes (or two unrelated episodes in a few cases) of the hit TV spy
series with Robert Vaughn and David McCallum that were cut together
and padded with new footage. A clever move by MGM, these
cheap-to-produce releases were starting to become common in the 1950s
when several episodes of the George Reeve Superman
were successfully issued the same way, but not with new footage.
Though
not reissued since and not included in the Complete
Series DVD box set of
U.N.C.L.E.,
Warner Archive has issued all eight and some are better than others.
The titles and the episodes they are made out of are as follows:
To
Trap A Spy (1964,
poor mix of The Vulcan
Affair and The
Four Steps Affair)
One
Of Our Spies Is Missing
(1965, from The Bridge Of
Lions Affair)
One
Spy Too Many (1965,
from The Alexander The
Great Affair, not as
effective)
The
Spy With My Face
(1965, poor mix of The
Double Affair and The
Four Steps Affair)
The
Spy In The Green Hat
(1967, from The Concrete
Overcoat Affair)
The
Karate Killers (1967,
the best film here, from The
Five Daughters Affair)
The
Helicopter Spies
(1968, from The Prince Of
Darkness Affair)
How
To Steal The World
(1968, from The Seven
Wonders Of the World Affair)
If
you count the reunion telefilm, that would make 9 (or 8 ½?) films
and MGM quit as the show ended and the last faked films come from the
final episodes of the series. It is almost as if they were
suggesting they might just launch real U.N.C.L.E.
films, but the show was cancelled as the spy craze slowly declined.
Still, they are fun, did get full theatrical release treatment
including posters and just added to how much fun and how big the TV
show really was. Overseas and in the U.S., other shows like The
Saint and The
Avengers also issued
faked feature films as big screen TV and color TV was only just
arriving, so this really was more common than you would think. The
extra footage is the biggest reasons to see these and have some great
guest actors like Fritz Weaver, Senta Berger, Sharon Farrell, Harold
Gould, Rip Torn. Yvonne Craig, Dorothy Provine, Jack Palance, Janet
Leigh, Joan Blondell, Elisha Cook Jr., Penny Santon, Herbert Lom,
Joan Crawford, Kim Darby, Telly Savalas, Curt Jurgens, Jill Ireland,
Terry-Thomas, Carol Lynley, Bradford Dillman, John Dehner, Sid Haig,
Julie London, John Carradine, Kathleen Freeman, Barry Sullivan and
Eleanor Parker among the great names and actors who landed up on the
big screen.
Trailers
are the only extras, but you can read more about the series at this
link:
http://www.fulvuedrive-in.com/review/6407/The+Man+From+U.N.C.L.E.+%E2%80%93+The+Co
..plus
more on the show and the spin-off The
Girl From U.N.C.L.E. also
issued by Warner Archive at this link:
http://www.fulvuedrive-in.com/review/12400/The+Girl+From+U.N.C.L.E.:+The+Complete+Serie
In
the opposite direction, MGM did what they could to keep anything
making money if they so after a trilogy of Richard Roundtree Shaft
films played in movie theaters, instead of settling for the poor box
office of the ill-advised and muddy Shaft In Africa, they decided
that it might be a good idea to jump on the bandwagon of hit
detective TV series (many of which were TV movie series) and decided
to make some TV movies with the character and got Roundtree on board.
Seven telefilms resulted and are all featured in Shaft:
The TV Movie Collection (1973
- 1974) which tones down the language and violence, but gos the
gritty urban TV detective route.
That
it happened surprises many and that they were fun and not bad,
holding up better than you would expect, will surprise fans and most
who have not seen them. It was too urban for detective fans and not
graphic enough for Blaxploitation fans, so production eventually
ended, but they are all worth seeing just to see what they did and
where they took the character. They include:
The
Executioners (Robert Culp, Barbara Babcock, Kaz Garas, Rafael
Campos, Richard Jaeckel, Dean Jagger)
The
Killing (Ja'net DuBois, Val Avery, Michael Ansara, Henry
Beckman, Leonard Frey, Jared Martin, Vito Scotti)
Hit-Run
(Tony Curtis, Howard Duff, Anthony Geary, Percy Rodriguez, Paula
Shaw, Jason Wingreen)
The
Kidnapping (Jayne Kennedy, Greg Mullavey, Erik Holland, Frank
Marth, Paul Burke)
Cop
Killer (Darren McGavin, Arch Johnson, George Maharis, Kim
Hamilton, Max Gail, Richard Schaal)
The
Capricorn Murders (David Hedison, Cathy Lee Crosby, Don
Knight, Arthur O'Connell)
The
Murder Machine (Clu Gulager, Fionnula Flanagan, Sheldon
Allman, Glenn Robards)
The
show had Shaft working somewhat closely with Eddie Barth as Lt. Al
Rossi, but the pairing has limited chemistry, though it was not
unrealistic. Darren McGavin shows up as a police captain when Rossi
gets into trouble and that had more chemistry and potential, but MGM
made the huge mistake of not signing him on as a new regular, which
left McGavin free to do the Kolchak: The Night Stalker TV
series (reviewed elsewhere on this site) so the last telefilms that
followed suffered and MGM pulled the plug. They are all better than
the ill-advised Samuel L. Jackson revival remake and worth seeing
again.
There
are no extras, but you'd think someone had something to say about
these shows.
The
1080p 2.35 X 1 digital High Definition image transfer on the Ambushed
Blu-ray is the best looking of the discs here, but it is a weak HD
performer with motion blur, downstyling choices that are beyond
played out and a generic look that does not help it. The
anamorphically enhanced DVD version is especially weak and can barely
compete with the
1.33 X 1 image presentation on the U.N.C.L.E.
and Shaft
DVD
sets, both of which were processed n MetroColor. U.N.C.L.E.
ids the next best looking of the discs here though the film prints
can show some damage, age and grain from optical printing, but color
is not bad throughout. The Shaft
transfers are, however, weaker overall than expected with poor
definition, crushed video black, lack of depth, some muddiness and
come from older video masters. Both sets deserve Blu-ray treatment.
The
Dolby TrueHD 5.1 on the Ambushed
Blu-ray is the sonic champ here by default, with dialogue and some
other sound too much in the front speakers, weaker still in the lossy
Dolby Digital 5.1 mix on the DVD version which even lacks more of a
soundfield. The lossy Dolby Digital 2.0 Mono on the U.N.C.L.E.
and Shaft
DVD
sets can more than compete by simply being competent and well
transfers, sounding good for their age.
As
noted above, to order The
Man From U.N.C.L.E.
and
Shaft
DVD sets,
go to this link for them and many more great web-exclusive releases
at:
http://www.warnerarchive.com/
-
Nicholas Sheffo