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Category:    Home > Reviews > Malice In Wonderland (Telefilm)

Malice In Wonderland (Telefilm)

 

Picture: C+     Sound: C+     Extras: C-     Telefilm: B-

 

 

As the TV movie declined, a few interesting works managed to get made before the whole thing collapsed into garbage.  Stories about the heart and soul being ripped out of the telefilm started popping up all overt the place.  One of the last solid examples made was Malice In Wonderland (1985), in which Elizabeth Taylor starred as Louella Parsons and Jane Alexander more than held her own as Hedda Hopper.

 

Based on George Eells’ book Hedda & Louella, the rivals meet at one of the big restaurants at their peak and everyone in town is expecting a royal fist fight, but instead, we get a flashback on how their rivalry began.  The Jacqueline Feather/David Seidler teleplay keeps things interesting, but sometimes gets caught up in too much name and film title dropping, when it should try to develop other ideas, concepts and touches of authenticity that could have upped a good story with a good cast.  Tim Robbins shows up as Joseph Cotton, while Denise Crosby plays Carole Lombard.  Richard Dysart is very interesting as Louis B. Mayer.  Joyce Van Patten & Jon Cypher also star, offering the kind of interesting cast that used to turn up in these productions all the time.

 

The leads certainly help the authenticity of the work, and then-active ITC was still putting smart, interesting projects together in general.  It flows well and is not a victim of the choppiness such a film would have today with 25% of all programming being usually forgettable (if not stupid and offensive) advertisements.  Malice In Wonderland is worth catching up with, and it is much more than a trashy cat-fight film.

 

The full screen, color image is not bad, shot by cinematographer Philip Lathrop, A.S.C., and has good color quality.  The transfer is a later analog transfer, but is cleaner than usual.  The Dolby Digital 2.0 Mono is fair for its age and for being a telefilm, with clear dialogue and a good-enough score by Charles Bernstein.  The few extras include profiles on Taylor, Alexander & Dysart, then on Hopper & Parsons, then you get text on the ten biggest Hollywood scandals up to the time of the pressing of this DVD.  That’s not bad, but the film is what you should watch first when catching the film.

 

 

-   Nicholas Sheffo


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