Betty Blue
(1986/Cinema Libre Blu-ray)/City Of God
(2002)/Heavenly Creatures (Uncut/2002)/The Velvet Goldmine
(1998/Miramax/Lionsgate Blu-rays)
Picture: B-/C+/B-/C+
Sound: C+ Extras: C/B-/C-/C- Films: C+/B-/C-/C-
The
following foreign films have previously been issued on DVD and now, we look at
their mixed Blu-ray debuts.
Jean-Jacques
Beineix’s Betty Blue (1986) is
virtually the same as the DVD we covered a while ago including the extras and
sound, which you can read about at this link:
http://www.fulvuedrive-in.com/review/9380/Betty+Blue+(1986/Jean-Jacques+Beine
Only the image has improved, but the 1080p 1.85 X 1 digital High
Definition image could be better with some shots looking nice with clarity
and good color range, but too many others looking smeared, color limited and
not what it could be. However, none of
the actor’s nudity is blurred out like it was on expensive Japanese 12”
LaserDisc releases, so this is as uncut as it is likely to get.
Fernando
Meirelles and Katia Lund co-directed the often acclaimed City Of God (2002), but I was not
always as impressed as we get the story of two young men out of the poorest
section of Rio de Janeiro
trying to survive poverty, hate, guns and gang violence in the horrible place
of the title. One becomes a drug dealer,
but the other is fascinated by still cameras and is more interested in
following higher pursuits.
Though
well acted, written and even shot, some of the slick shots look like bad Music
Video tricks and have put age on the film, plus this approach tends to glorify
the very thing it is trying to criticize.
This also falls into the trap of so many of Gangster films and youth
gang films that it runs into clichés that have become more so since its release
since there is such an embarrassing glut of these tales on TV and movies,
though not as much from other countries like this one. Still, it is the best film of the four here
and worth your time. You can read more
about the TV companion series
City Of Men at this link:
http://www.fulvuedrive-in.com/review/4581/City+Of+Men+%E2%80%93+The+Co
Extras
include the hour-long News From A
Personal War which shows more of the real life stories that inspired the
film including some amazing footage of its own.
Peter
Jackson’s Heavenly Creatures (2002)
is based on a wild tale of young girls committing murder after bonding in
obsessed ways that really happened in Christchurch,
New Zealand. It is the debut film of Kate Winslet, she and
the actors in general are just fine, but I never thought this film worked and
it was as if Jackson
was trying too hard to be Peter Weir or something. It does not work as a character study, a
thriller, a mystery or much of anything else save a history lesson. It is obviously a curio, but every time Jackson tries to do a
female narrative film it backfires, as it recently did with his worst-ever
film, The Lovely Bones. The only extra is a Theatrical Trailer.
Finally
we have the talented Todd Haynes’ The
Velvet Goldmine (1998), which also happens to be my least favorite film of
his as he tries and fails to recreate the atmosphere of the Glam Rock movement
in England despite a great cast that includes Ewan McGregor, Johnathan Rhys
Meyers and a then less-known Christian Bale that constantly feels like a pale
imitation of the period, is more about its story than what the music and time
was about and even his gay subtext is boring here. It also is more clichéd than I would have
liked and has not improved with age, but it too is a curio because of the
actors (including Toni Colette) and people will want to see what it is
about. Just don’t have high hopes. The performance playback of the disc did not
help. Extras include a Theatrical
Trailer and feature length audio commentary by Haynes and Producer Christine
Vachon who I also like very much but could not get me more into the film.
The three
Lionsgate Blu-rays also offer 1080p digital High Definition images, but at
different aspect ratios and only Creatures
(at 2.35 X 1) looks good some of the time.
All can look rough and all seem to be second-generation HD masters, but City (1.78 X 1, though it was
supposedly a 1.85 X 1 theatrical release and there is a difference, this mixed
Super 16mm and Super 35mm film and should look better) and Goldmine (at 1.85 X 1) are overall weaker. For Goldmine,
this undermines (no pun intended) the entire heightened color-schemes the film
originally had, making it look faded and limited in ways never intended.
All three
Lionsgate Blu-rays also additionally have DTS-HD MA (Master Audio) lossless mixes,
but the sound is too much towards the front speakers in all cases and
surprisingly weak throughout. This
especially hurts Goldmine (5.1) with
so much music on its soundtrack in so many ways, City is also 5.1 and Creatures
2.0 Stereo but decodes with monophonic surrounds when you use Pro Logic if you
watch it on a home theater system though the package does not suggest
that. The film was originally issued
theatrically in Dolby’s older A-type analog encoding, so maybe Jackson could redo it in 5.1 if he had the
chance.
- Nicholas Sheffo