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Category:    Home > Reviews > Creezy

Creezy (La Race Des “Seigneurs”)

 

Picture: C     Sound: C+     Extras: C-     Film: B-

 

 

A politician’s certain life (Alain Delon) and success with power becomes challenged by his involvement with a young model (Sydne Rome) who also lands up posing for Oui! Magazine in Pierre Granier-Deferre’s Creezy.  The thing is, this takes place in 1973 and the man is married, so there is a tension that existed then that would not be so shocking now.  What could have been a lame Melodrama instead turns out to be a smart, mature drama that is interesting to watch throughout.

 

Before things get heated up, he consults an old friend (Jeanne Moreau, playing older than she was at the time) who tries to advise him wisely, but his desire for what is a very sexual woman cannot seem to be countermanded by common sense.  It also indicates that the man who has everything is still not happy and even suffocated by his life, one of public service that has become banal to him.

 

The letterboxed 1.66 X 1 image is slightly windowboxed due to slivers of black on the sides on the frame, shot by cinematographer Walter Wottitz, who captures the subtlety of the wealth and glamour of the upper class world the character inhabit.  The presentation has some color consistence and is from a good print, but it softer than usual throughout as well.  The Dolby Digital 2.0 Mono fares a bit better, no matter what the language and also features an interesting score by Philippe Sarde.  This is a simple and effective sound design.  The only extras include biography information on Granier-Deferre, Delon, Rome, and Moreau and the original French theatrical trailer.

 

It also says something good about the French film industry that as the French New Wave came to an end, they could turn out a film like this on the great, rich talent available that no cinema today can seem to come up with.  As I sat watching, I was reminded in a new way how good and good a range of all kinds of films were getting made into the early 1980s because of the pride of those making their films.  Creezy is testament to maturity lost and is worth a look.

 

 

-   Nicholas Sheffo


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