Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Thriller > Spy > British TV > Dangerous Knowledge (1976/from Armchair Thriller series/VCI DVD)

Dangerous Knowledge (1976/from Armchair Thriller series/VCI DVD)

 

Picture: C     Sound: C     Extras: D     Episodes: C+

 

 

Another set of episodes taken out of the hit TV show Armchair Thriller (which we have reviewed elsewhere on this site, Dangerous Knowledge (1976) is a six hour-long episode tale that wants to combine Hitchcock and Cold War spy stories as an insurance man named Kirby (Armchair Thriller regular John Gregson in his final work before his death) who is being followed for reasons he does not understand, but knows how to get away and this comes with the help of a beautiful young woman named Laura (Prunella Ransome of Van der Valk, The Persuaders, The Adventurer), but why is she so willing to help?

 

N.J. Crisp (Spy Trap) wrote this decent thriller with some good moments and the only problem is that modern viewers will have to understand and project The Cold War into this to figure it all out, but it is ambitious and not bad to revisit.  The directing by Alan Gibson (Goodbye Gemini, Dracula A.D. 1972, Count Dracula & His Vampire Bride, Brian Clemens’ Thriller, Raffles (1977), Roald Dahl’s Tales Of The Unexpected) is ultimately the reason these shows hold up.  At his best, he is a solid journeyman filmmaker and that helps here too.

 

Ralph Bates (Moonbase 3), Patrick Allen (Hitchcock’s Dial ‘M’ For Murder) and Robert Keegan (Hitchcock’s Frenzy) are among the supporting cast that also keeps things moving and keeps you guessing.  Fans of this kind of fiction will find this worth a look.

 

The oddly letterboxed 1.66 X 1 image was originally produced on 16mm film for outdoor shots and analog PAL video for the rest of the shoot and intended for 1.33 TV presentation, but this is cut the way it is for whatever reason (tape damage?), but the results are not so cinematic as we get some detail and color limits from the PAL taping and soft throughout, with the analog videotape flaws including video noise, video banding, telecine flicker, tape scratching, PAL cross color, faded color and tape damage.  The Dolby Digital 2.0 Mono is also a few generations down and sounds aged.  Be careful of playback levels and volume switching.  There are no extras, though it would have been nice if we learned more about the production.

 

 

-   Nicholas Sheffo


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com