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Category:    Home > Reviews > Drama > Erotic > Adult > Italy > Barebums & Voyeurs – The Steamy Films Of Tinto Brass: Master Of Erotic Cinema (1983 – 2005/The Key/Miranda/All Ladies Do It/Monella/Transgressions/Do it!/Monamour/Umbrella Entertainment/PAL Region Fou

Barebums & Voyeurs – The Steamy Films Of Tinto Brass: Master Of Erotic Cinema (1983 – 2005/The Key/Miranda/All Ladies Do It/Monella/Transgressions/Do it!/Monamour/Umbrella Entertainment/PAL Region Four/4/DVD Import Set)

 

Picture: C+     Sound: C+     Extras: C-     Films: B-

 

 

PLEASE NOTE: This DVD set can only be operated on machines capable of playing back DVDs that can handle Region Four/4 PAL format software and can be ordered from our friends at Umbrella Entertainment at the website address provided at the end of the review.

 

 

Tinto Brass is a survivor and one of the only filmmakers of erotic films to survive long after the 1980s and home video killed the market for his kind of product.  The genre filmmaker moved to erotica and by the time he took on Salon Kitty (1976), which involved the erotic and Nazis, so he was the boldest Italian director on the subject, though his films were not outright hardcore graphic.  This got him noticed by Bob Guccione and as head of Penthouse, hired Brass to direct Caligula, which took four year to make and finally arrived in 1980. Both films gave Brass a callous reputation and you can read about recent releases of Caligula in both video formats at these links:

 

Blu-ray

http://www.fulvuedrive-in.com/review/8109/Caligula+%E2%80%93+The+Imperial

 

DVD

http://www.fulvuedrive-in.com/review/6075/Caligula+%E2%80%93+The+Imperial

 

 

As we await the arrival of Kitty on Blu-ray, we were surprised a box set of his films (any of them) was being issued anywhere, but here Umbrella Entertainment has compiled a collection of seven films Brass made after these films and have given it the elaborate title Barebums & Voyeurs – The Steamy Films Of Tinto Brass: Master Of Erotic Cinema.  The films are all more watchable than expected, keep the same soft, diffused, warm 1970s style of cinematography that would make you think they were all older than they are, involve voyeurism (a goofy person, usually a dirty guy, shows up so the audience can laugh at him and we more comfortable with watching) and his camera is so obsessed with female nudes, especially everything below the waste.

 

The politics of the films are always the same (women should always be nude and always want sex, especially when they are pretty, young and sexy), while the men are really secondary (though you do see male nudity and even erections), but the stories (what there are of them) eventually seem secondary, but are more than you would get in a XXX work.  Versus his more famous works, it turns out he is not as harsh or cold a filmmaker as his reputation would have us believe, though narrative is hardly his strongpoint.

 

The Key (1983/aka La chiave) casts legitimate actor Frank Finlay (Lifeforce, Shaft In Africa, Cromwell) as Nino, a man who is losing his lust for life and… lust.  As a result, his wife Teresa (Stefania Sandrelli) is having an affair with another man (Franco Branciarolli), but Nino is reading her diaries and things are about to shake up.

 

Miranda (1985) stars Serena Grandi as the title character, a landlady trying to find a husband and makes auditions popular in this watchable comedy made sillier by the variety of men she lands up with.

 

All Ladies Do It (1992/aka Cosi fan tutte) has married woman Diana (Claudia Koll) happy with her marriage to Paolo (Paolo Lanza), but she still wants to try things with other men and the results (like the film) are mixed.

 

Monella (1998/aka Frivolous Lola) has Lola (Anna Ammirati) and her fiancée/baker Masetto (Mario Parodi) dealing with the oppression of 1950s Italy, but while he wants to wait until they get married to have sex, she is not waiting and finds other men, including her mother’s new lover André (Patrick Mower of the British spy series Callan). 

 

Transgressions (2000) is easily the best of the films here, with the very sexy Carla (Yuliya Mayarchuk) trying to find an apartment in London for her boyfriend, but finding all kinds of other men who are more interested in her, plus a few women.  Brass manages to bring his 1970s style into the modern time without loosing any of its classical sense or look, which is not easy to do: he throws away his usual pretenses.

 

Do it! (2003/aka Fallo) is an anthology film with six stories that brings back some of his past actors and is a nice change of pace from trying to do a whole non-stop feature.  The results may be mixed, but it is at least ambitious for this kind of material.

 

Monamour (2005) concludes the set with Parodi back as a married publisher whose wife Marta (Anna Jimskaya) is (again?) unhappy with their marriage, so she gets together with Leon (Riccardo Marino) while he is at a book fair and starts to write down everything she does.  At 72 years old, Brass somehow has not lost his sense of erotic passion by the time this film was released and you would think a much younger man was directing all of these, but it is him.  No, he is not a great director and not even an Auteur, but he found a style and stuck with it and this set proves there is another side to him than his two big hit films.  Now you can see for yourself.

 

 

The anamorphically enhanced 1.78 X 1 image in all cases was shot on 35mm color film, usually Kodak, but Fuji was used as well later.  The print quality can show its age, but color and the style come through enough in each case that they are all about on par with each other, with detail slightly improving as they go along.  Restoration is needed if these films will join Caligula and Salon Kitty on Blu-ray down the line.  Dolby Digital English dub 2.0 is the sound mix on all the films, with the first three monophonic, Lola in stereo via its advanced analog Dolby SR (Spectral Recording) theatrical release and the last three digital sound releases.  Too bad the last four are no 5.1 or the like.  Ennio Morricone actually scored The Key, Riz Ortolani scored Miranda and Pino Donaggio scored Monella and Transgressions.  Worst of all, the original Italian dialogue soundtracks are missing, making too much of this unintentionally goofy.

 

Besides a provocatively illustrated, high quality box, the only extras are trailers for all the films before a given film begins on any of the DVDs includes.

 

 

As noted above, you can order this PAL DVD import set exclusively from Umbrella at:

 

http://www.umbrellaent.com.au/

 

 

-   Nicholas Sheffo


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